Abigail Disney, who is an heiress to the Disney fortune and a radical leftist, was outraged when she was tipped off via Twitter to Disney+ ads running on former White House strategist Steve Bannon’s daily podcast.
Nandini Jammi, who is a co-founder of the Check My Ads Institute, tweeted that she saw ads for Disney+ during the airing of Real America’s Voice stream of Bannon’s “War Room” podcast on Thursday. That tweet made its way to Abigail Disney.
Jammi is a leftist who is intent on getting companies to demonetize Bannon and she monitors his show so she can make note of them. She has proclaimed it is her mission to stop dollars from going to Bannon in one form or another.
“I demonetize Steve Bannon for a living and I love it,” she tweeted.
https://twitter.com/nandoodles/status/1569343549354672129
As of Friday, she had succeeded in getting Audi and Etsy to pull their ads for Real America’s Voice.
https://twitter.com/nandoodles/status/1570794192552734720
When she caught Disney+ ads running on Bannon’s show, she tagged the company in a post that was seen by Abigail Disney and retweeted.
“I just watched THREE @DisneyPlus ads in just ONE commercial break for Steve Bannon’s War Room…right alongside MyPillow guy and Gettr. This can’t be what @DisneyPlus wants,” Jammi tweeted.
In the Disney Heiress’ retweet, she commented, “Oh COME ON @Disney !!!!”
Oh COME ON @Disney !!!! https://t.co/71SQRDJExE
— Abigail Disney (@abigaildisney) September 15, 2022
Abigail Disney has repeatedly blasted Disney and has just released a documentary called, “The American Dream and Other Fairy Tales,” which she co-directed, co-wrote, and co-produced. She is the grand-niece of Walt Disney and the granddaughter of Roy O. Disney, co-founder of Disney Studios and the company’s first CEO. She’s also the daughter of Roy E. Disney, a senior executive for the Walt Disney Company.
In another black eye for the Happiest Place on Earth, the documentary focuses on Disney’s workers and their wages. The Disneyland Resort in Anaheim employs approximately 30,000 people, according to The New York Times. Abigail Disney claims her family’s company has many of them living in poverty.
“The assholification of American. The story of nearly half of American workers who can’t make ends meet” -Abigail Disney (A documentary, about her family’s Disney legacy comes out later this month, the trailer looks good, yet so terribly wrong and sad…) https://t.co/cnu8jYm9ze
— Midori ✌🏻🌌✨🩵 (@RefreshbyMidori) September 16, 2022
“Of course, you don’t get to carry a name like this without having questions,” Abigail Disney said during a recent interview, according to Voice of OC.
“I feel so clearly like I have benefitted all my life from the work that the workers do. And I didn’t really let myself interrogate that as deeply as I probably should have. A lot of Americans sit on top of things they don’t interrogate; they might feel differently if they did,” she claimed.
The documentary also alleges corruption and backroom deals that Disney has orchestrated with the city of Anaheim.
Jammi’s ad watchdog group also investigated Procter & Gamble and posted the results this week, concluding that the company might be inadvertently funding Bannon and Real America’s Voice.
“This is not your usual brand safety story. We’re not about to tell you that we’ve found P&G ads running on War Room. The ads are not even running on Real America’s Voice, the channel that streams Bannon’s hours-long show,” Check My Ads asserted.
“Rather, P&G commercials for products including Bounty, Gain, and Tide are running on a very different kind of show: a 24/7 streaming weather news channel called WeatherNation. WeatherNation, which is available for free on any connected TV, is a front for Steve Bannon,” Jammi’s company charged.
https://twitter.com/nandoodles/status/1526372796393263106
Robert Sigg actually owns Real America’s Voice. He also owns WeatherNation, which is a weather network.
Check My Ads is charging that WeatherNation runs conventional ads as a “front” for Sigg in order for him to get funding for Real America’s Voice.
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